FOR DANCE & MOVEMENT
The music moves. The whole company moves with it.
Dancers, musicians, and stage all reading the same count, so every entrance, lift, and blackout lands on the beat, not a guess. Stranto puts the floor and the pit on one clock.
Get early access →We know the count.
The count lives in three different rooms.
The choreographer feels one tempo, the pit plays another, the booth fires a third. When they drift, the lift lands a beat late.
Live music never plays it twice the same.
A held phrase, a stretched ritardando, a faster night, and counts rehearsed to a click suddenly don’t fit the room.
Every restage re-marks everyone.
A cut here, eight bars added there, and now the dancers, the conductor, and the lighting plot are all counting something different.
What changes with Stranto
Set the counts as fast as you call them
Speed Entry
Mark entrances, holds, and cuts the instant you set them in the studio. Keyboard-fast, ready before the next run.
Floor, pit, and booth on one count
Universal Sync
Dancers, musicians, and lighting all ride the same master clock. When the music breathes, the whole stage breathes with it.
Your counts and score, made live
Interactive Assets
Bring the counts and score you already rehearse with. Stranto makes them move with the live performance, no rebuilding.
How it works from studio to stage
Set the counts
The choreographer or rehearsal director hosts. Mark entrances, holds, and lifts against the music keyboard-fast, and bring in the score you already rehearse with.
Bring the company in
Dancers, musicians, and the booth join free on their own phones or tablets, and see the same counts the moment you set them.
Dance to the live music
The counts ride the same master clock as the musicians. When the music breathes, the counts breathe with it, and the lift lands on the phrase you choreographed.
The lift, on the downbeat
The music breathes a hair for the room, the way live music always does. On a click, the choreography would have drifted early. Instead the counts you set in the studio ride the same clock as the pit. The preparation holds, the music swells, and the lift hits the air exactly where you choreographed it. The house gasps. Nobody on stage was counting alone.
The counts you set in the studio are the counts the company dances on stage. Every entrance and lift lands right on the phrase you choreographed.
Questions dance companies ask
- Does it work with live music, or only a click track?
- Live music is the point. The counts ride the same master clock as the pit, so when a phrase stretches or a night runs faster, the counts move with the music instead of drifting off a click.
- What happens when we restage a section?
- Make the change once and everyone working from the piece sees it: dancers, musicians, and lighting. Nobody is counting an old version.
- Do dancers need their own device?
- Each person follows on whatever screen is in front of them: a phone, tablet, or laptop. Stranto runs in the browser, so there’s nothing to install.
- Do dancers pay to use it?
- No. Only the host carries a plan. Everyone the host invites, dancers and musicians alike, plays free, forever.